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The re-crowning of Red Crown
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No quote list
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Bye bye Blue Devils
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The Tower Pulse
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Is Taylor Swift the ‘Mastermind’?
Jacob Ashkar '23
, Social Media Manager
November 8, 2022
5SOS5 crafts a musical storyline that derails from bands origins
Maria Wortman '24
, Copy Editor
October 6, 2022
Steve Lacy’s Gemini Rights eclipses all expectations
Noelle Whorf '23
, Copy Editor
October 4, 2022
Lizzy McAlpine’s emotionally raw sophomore album “five seconds flat”
Julia Roeder
, Staff Writer
May 18, 2022
Altuesdays: Fleet Foxes “Helplessness Blues” is the what folk music was meant to be
Sophia Fowler '22
, Multimedia Manager
January 11, 2022
The Tower version of “Red Taylor’s Version”
Cecile Walsh '24
and
Dailey Jogan '24
December 8, 2021
Olivia Rodrigo’s debut album isn’t so “Sour”
Paige Evers '22
, Associate Editor of Pulse
June 4, 2021
“To Kill A Sunrise” album excites with unique tracks
Mairin Heimbuch '21
, Copy Editor
April 20, 2021
“The Absolute Universe” brings relatability to another level
Mairin Heimbuch '21
, Staff Writer
February 11, 2021
Deacon Blue’s quarantined album “City Of Love” is lyrically unique
Mairin Heimbuch '21
, Staff Writer
February 11, 2021
“Nobody is Listening” Review: Zayn disappoints everyone
Andrew Isaacs '23
, Staff Writer
February 5, 2021
Gorillaz’s best album yet, “Song Machine, Season One: Strange Times”
Mairin Heimbuch '21
, Staff Writer
November 4, 2020
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