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Search this site
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The Tower Pulse
Home
News
Breaking News
Features
Feature Packages
Five Minutes With
Arts and Entertainment
Food and Restaurants
Movie and Television Series
Concerts and Music
Books and Theater
Opinion
Editorials
Sports
Fall
Winter
Spring
Multimedia
Podcasts
Photo Galleries
Videos
About Us
The Tower Editorial Policy
Staff Bios
Archives
More
The Tower Pulse
Search this site
Submit Search
Lizzy McAlpine’s emotionally raw sophomore album “five seconds flat”
Julia Roeder
, Staff Writer
May 18, 2022
Altuesdays: Fleet Foxes “Helplessness Blues” is the what folk music was meant to be
Sophia Fowler '22
, Multimedia Manager
January 11, 2022
The Tower version of “Red Taylor’s Version”
Cecile Walsh '24
and
Dailey Jogan '24
December 8, 2021
Olivia Rodrigo’s debut album isn’t so “Sour”
Paige Evers '22
, Associate Editor of Pulse
June 4, 2021
“To Kill A Sunrise” album excites with unique tracks
Mairin Heimbuch '21
, Copy Editor
April 20, 2021
“The Absolute Universe” brings relatability to another level
Mairin Heimbuch '21
, Staff Writer
February 11, 2021
Deacon Blue’s quarantined album “City Of Love” is lyrically unique
Mairin Heimbuch '21
, Staff Writer
February 11, 2021
“Nobody is Listening” Review: Zayn disappoints everyone
Andrew Isaacs '23
, Staff Writer
February 5, 2021
Gorillaz’s best album yet, “Song Machine, Season One: Strange Times”
Mairin Heimbuch '21
, Staff Writer
November 4, 2020
Lil Tecca offers little variety in “Virgo Wolrd”
Mairin Heimbuch '21
, Staff Writer
November 3, 2020
Features on “Good Intentions” help boost NAV’s one dimensional vocals
Ryan Caldwell '21
, Photographer
May 19, 2020
Dark Lane Demo Tapes: a different side of Drake
Cam Buhler '21
, Staff Writer
May 14, 2020
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