Isaac Piecuch ’14 | Staff Writer

Since 1996, of Montreal has been shifting genres and taking thematic risks with each successive album. With the release of “Lousy With Sylvanbriar”, of Montreal continues their celebration of juxtaposed sound. They’ve created a melting pot of genres that, while inaccessible at times, is an ultimately rewarding album.

“Sylvanbriar” is a lyric-driven experience; front man Kevin Barnes is a true poet and presents lyrics that are both thoughtful and engaging. In “Sirens of Your Toxic Spirit,” Barnes includes lyrics like, “What I recall, remember best, is insanity and the clatter”. Barnes pours out his soul into each and every verse, revealing his deepest emotions and musings. The recording studio is Barnes’ confession booth, and listeners are his confidants.

However, this poetic depth is both a blessing and a curse. At times, Barnes’ lyrical bravado and profound phrasing can come off as pretentious and unnecessarily heavy. For example, in “Blade Glade Missionaries,” a modern war protest anthem, he sings, “They’re letting children get blown up in the schools today, so they can get back into their factories.” There is certainly substance, but it comes off as too heavy-handed and depressing.

Still, upon closer inspection, there is definitely something here for more casual listeners. “She Ain’t Speakin’ Now” is a psychedelic, funky rock song, bursting with energy. It combines accessible melodies with that unique of Montreal flair.

“Lousy with Sylvanbriar” is a refreshing change of pace, one which embraces its outlandishness and revels in the opportunity to share emotions. Barnes had an ambitious artistic vision, and seems happy with the opportunity to create the sounds that he envisioned. At times, the album stumbles underneath the weight of its own ambitions, but still remains a rewarding experience.

Grade: B+.