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March 20
Lucy's letters: Body image
March 20
Thinking outside the bubble: The Grammys should maintain the respectability of the Oscars, but they don’t
March 20
Layoffs and let downs from the federal government
March 20
Pay time versus play time
March 20
Friedrich Merz's German election victory consequential for EU-US relations
March 20
Feminism fuels social change
March 20
Clash of the titans
March 20
Hoopin' into March Madness
March 20
From rags to riches
March 20
Girls sports training needs to change
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Return to Lady Gaga’s early beginnings
Grace Vollmer ’26
, Copy Editor
March 18, 2025
Top tier Tate
Kaylee Jelinski ’25
, Supervising Page Editor
March 5, 2025
“Hurry Up Tomorrow” review
Sarah Cook ’25
, Supervising Copy Editor
March 4, 2025
Shawn Mendes’ new image
Amelia MacGillis ’27
, Staff Writer
December 17, 2024
Chromokopia nearly lives up to the hype
Oskar Grand ’27
, Staff Writer
November 12, 2024
Everything we thought it was
Miles Constantino ’25
, Staff Writer
April 2, 2024
Ariana Grande’s return to music
Sara Dimitrijevic ’25
, Staff Writer
March 18, 2024
Is Taylor Swift the ‘Mastermind’?
Jacob Ashkar ’23
, Social Media Manager
November 8, 2022
5SOS5 crafts a musical storyline that derails from bands origins
Maria Wortman ’24
, Copy Editor
October 6, 2022
Steve Lacy’s Gemini Rights eclipses all expectations
Noelle Whorf ’23
, Copy Editor
October 4, 2022
Lizzy McAlpine’s emotionally raw sophomore album “five seconds flat”
Julia Roeder
, Staff Writer
May 18, 2022
“To Kill A Sunrise” album excites with unique tracks
Mairin Heimbuch ’21
, Copy Editor
April 20, 2021
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